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Breasts in Mesopotamia

It took me a minute, but since it’s October, and October is Breast Cancer Awareness month, I decided to look and see what I could find about breasts in Ancient Mesopotamia, aside from the obvious fact that Mesopotamian women had them.

After some research, I’ve found that breasts were quite prominent in the land between two rivers.

A statue from Samarra, ca. 6000 BC, believed to be of a mother goddess, with exaggerated breasts being held up for prominence. (Source)

Life and Breasts

To start, the Babylonians and Assyrians concentrated on what appears to be essentially the lifeline of a newborn child by listing the beginning of the life cycle as “a child at the breast.” Notice it is not just “a child is born,” but “a child at the breast.” This speaks volumes, especially when attached to all the other things I found.

As expected, Mesopotamians associated the female form with fertility. Many statues believed to be those depicting fertility have been unearthed throughout Mesopotamia. They usually feature mother goddesses with prominent breasts held up suggestively with folded arms underneath (see above), while some statues feature only one of the breasts being held up as if it were an offering. (Source)

Akkadian female figurines, ca. 2334-2147 BC. Note the figurine on the left holding up only one breast. (Source)

Emphasis was also placed on breasts in erotic scenes, as pictured below.

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Lovers in an embrace. Note the woman holding her breast. (Source)

Mythological Breasts

The prominence of breasts in Ancient Mesopotamian culture is also evident in the descriptions of the defining characteristics of mythological figures. For instance, a characteristic of Lilith, a female demon who snatches and kills children, also a bearer of disease, illness and death, is described as having no milk in her breasts and unable to bear children. Nonetheless, Lilith’s epithet was “the beautiful maiden,” and would appear in men’s erotic dreams.

Although this relief is believed to be depicting Ishtar or Ereshkigal, it was thought to depict Lilith at one time. It serves as a good example of the demoness’s characteristics including woman’s breasts, bird talons for feet, and wings. (Source)

Lamashtu is another such demon, and her breasts are a prominent part of her description. She has the head of a lion, donkey’s teeth and a hairy body, but unlike Lilith, she is portrayed nursing a pig and a dog from her bare breasts. Instead of being the subject of erotic dreams, however, Lamashtu was bringer of nightmares, and was also considered bad news to children and their mothers, so much so that amulets were used to ward off her evil, particularly during childbirth. (Source)

Lamashtu had a lion’s head, donkey’s teeth and ears, naked breasts, a hairy body, long fingers and nails, and bird talons. She clutched snakes in her hands while nursing a piglet and a puppy at her breasts. Her image was put on metal or stone plaques with incantations to ward off her evil. Amulets were worn of the demon Pazuzu, who was believed to be the only one able to keep Lamashtu away from pregnant women, as she was believed to kill unborn babies by touching their mothers’ wombs seven times, or kidnapping them once they are born. (Source)

Even so, breasts were still a source of good nourishment in mythology, and it wasn’t just for humans (or mammals). The breasts of Nissaba, the Sumerian goddess of grain, served to nourish the fields ready for planting.

Breast Feeding

Of course, breasts were also associated with child bearing, but there is a flip side. On the one hand it was a source of nourishment for babies, serving as their lifeline, for up to three years. On the other hand, a woman’s breasts were also a birth control tool.

A woman’s fertility is relatively low while she is breastfeeding, and so the concept of the wet nurse became widespread in Mesopotamia, as it helped nourish newborn babies with breast milk when their mothers were unable to provide them with it, and it also helped keep the wet nurses themselves from getting pregnant during the time they were nursing.

Hammurabi (1728-1686 BC) wrote a law covering the category of wet nursing, in which a two to three-year contract is held between a wet nurse and her employer, and gives her the right to sell the child of that employer should she not be compensated properly. Yikes! (Source)

Breast Cancer in Mesopotamia?

Ancient Mesopotamians also believed that disease came from demons that would enter a person’s body through any opening and begin attacking certain areas. Babylonians believed that each body part was attacked by a designated demon, and the demon that attacked the breasts was Alu, a night-dwelling demon, who when not attacking breasts was bent on terrifying those trying to sleep. (Source)

A final piece I gathered in putting this post together is one that I feel is especially indicative of the prominence of the breast in Mesopotamia. In the ruins of the ancient city of Nuzu, in northeast modern-day Iraq, excavations unearthed an infant buried under a private home, its remains inside a jar in the shape of a woman’s breast. (Source, page 94)

So, having said all that, I think it’s safe to say that breasts were almost revered in Mesopotamian culture. And for all the right reasons, too. Do you agree? Let us know in the comments!

Sources and further reading:

http://www.academia.edu/873588/Womens_Roles_in_Ancient_Mesopotamia, page 94

http://factsanddetails.com/world.php?itemid=1521&catid=56&subcatid=363  (under “Mesopotamian Hygiene, Perfume and Sex”)

http://3.bp.blogspot.com/-d88npMh9sPo/TXDRGLhUeNI/AAAAAAAAAnw/9sGn7Xh-1XU/s1600/sumerian-love.jpg

http://en.wikipedia.org/wiki/Lamashtu

http://www.bibliotecapleyades.net/sumer_anunnaki/esp_sumer_annunaki15e.htm

http://www.bibliotecapleyades.net/sumer_anunnaki/esp_sumer_annunaki12e.htm

http://orthocj.com/2006/06/historical-perspective-on-breast-feeding-and-nursing/

http://www.answers.com/topic/alu-demon

http://www.acsu.buffalo.edu/~duchan/new_history/ancient_history/mesopotamia.html

 
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Posted by on October 23, 2012 in Art, Women

 

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A more colorful way to learn

When I took my first ancient history class in high school here in the States, I was very disappointed to find that there was very little covered of Mesopotamia, if anything at all. The same thing happened when I took Western Civilization in college.

In fact, to this day, I know more about Ancient Egypt, Greece and Rome than I do about Mesopotamia, and that is sad, but that is the reality of what parts of history the general masses are most exposed to, or even to which they are drawn.

Well, although what I’m about to show you is more of a bible study aid, it can be used as a tool to make Mesopotamian history as fun as ancient Egyptian or Greek or Roman history to anyone, especially those who are very visual and artistic, and if you’re homeschooling your child, you have a chance to give them a one-up on other kids by exploring Mesopotamian history.

Check out this Mesopotamia scrapbook kit:

Available through Heart of Wisdom Homeschool Store. (http://homeschool.corecommerce.com/Mesopotamia-Scrapbook-Kit.html)

You can also just make your own art to pay homage to the cradle of civilization!

Source: http://homeschool.corecommerce.com/Mesopotamia-Scrapbook-Kit.html

 
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Posted by on October 26, 2011 in Art

 

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Pine Cones in Ancient Mesopotamia

With the holiday season coming up and those bags of cinnamon-scented pine cones hitting store shelves soon, I think it would make a great topic of conversation at your next holiday party to explore the significance of pine cones in Mesopotamian mythology and art.

Pine cones are symbolic in that they are where the life cycle of a pine tree begins, and conversely, where new life begins.

Many reliefs excavated at Mesopotamian sites depict gods or super beings holding a bucket in one hand and a pine cone in the other. It is clear that the pine cone was dipped into the bucket and used to sprinkle a substance, sometimes blood, as in this depiction of Tammuz, a winged Babylonian deity associated with regeneration:

Source: https://i0.wp.com/www.crystalinks.com/dilmuntoearth.jpg

Pine cones are representative of continuing life, and Tammuz represents regeneration.

Source: http://www.crystalinks.com/dilmuntoearth.jpg

The pine cone and bucket depiction was not reserved to deities. Super beings, genii, which are like gargoyles in that they ward off evil spirits with people as well as buildings are also depicted holding pine cones in Mesopotamian art. This Blessing Genius stood guard at the gate of the city of Khorsabad, providing protection and blessings to those who walked through the city’s gates:

Source: http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENT%3C%3Ecnt_id=10134198673225255&CURRENT_LLV_NOTICE%3C%3Ecnt_id=10134198673225255&FOLDER%3C%3Efolder_id=9852723696500800&bmLocale=en

The pine cone is used by the genii to sprinkle water on passersby, to bless them.

Source: http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENT%3C%3Ecnt_id=10134198673225255&CURRENT_LLV_NOTICE%3C%3Ecnt_id=10134198673225255&FOLDER%3C%3Efolder_id=9852723696500800&bmLocale=en

For further information on pine cones and their significance, here are the amazing links we used to prepare this piece:

http://www.markbeast.org/mark-beast-paganism.html

http://www.crystalinks.com/sumergods.html

http://www.ehow.com/list_7628863_life-cycle-pine-trees.html

http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENT%3C%3Ecnt_id=10134198673225255&CURRENT_LLV_NOTICE%3C%3Ecnt_id=10134198673225255&FOLDER%3C%3Efolder_id=9852723696500800&bmLocale=en

 
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Posted by on October 22, 2011 in Assyrian, Mythology

 

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